21 JUNE–24 AUGUST 2014
PRIVATE VIEW: 21 JUNE, 3–7PM
Rossi & Rossi Hong Kong
Yally Industrial Building, Unit 3C
Wong Chuk Hang
T: +852 3573 9417
Rossi & Rossi is pleased to present Impermanence, an exhibition of new and recent works by contemporary Tibetan artists living in Tibet and around the world. The first such exhibition devoted solely to contemporary Tibetan art to be held in Hong Kong, it features paintings, sculptures and installations by Benchung, Marie Dolma Chophel, Dedron, Gade, Tulku Jamyang, Kesang Lamdark, Nortse, Tsering Nyandak, Tashi Puncog, Tenzing Rigdol,Tsherin Sherpa, Sodhon, TaNor and Palden Weinreb.
The exhibition focuses on the concept of ‘impermanence’ (Pali: anicca, Tibetan: mi rtag pa, Chinese: 無常), which is considered to be one of the three essential doctrines of Buddhist philosophy. In short, while everything in the universe is subject to change, nothing is certain or lasts forever. The Upali Sutta recalls a conversation between the Buddha and a Jain householder named Upali, in which the Buddha argues, “whatever rises has the nature of ceasing”. At first glance, this concept appears to provide a negative outlook on life; however, ‘impermanence’ can also be seen as the vital component that allows for change to occur, whether for better or for worse. One only has to look around to realise how true this is, be it on a small, individual scale—aging, dying, learning, developing—or on a large, global scale: seasons changing, governments falling, national borders being redefined.
Tibetans are all too aware of the fragility of life. Impermanence therefore aims to provide a vantage point from which contemporary Tibetan art can be examined and interpreted.Given Tibet’s recent history, the works included in the exhibition are understandably political. Faced with the impact of globalisation, exposure to new cultures and modernisation, the featured artists have adapted traditional Buddhist iconography, media and motifs to reflect upon the experiences of Tibetans around the world. Their vivid works comment on identity, security, the environment and the future of Buddhism—all increasingly complex concerns for Tibetans living both in their homeland and in exile.
Image: Tenzing Rigdol, Monologue 2, 2014, 24-karat gold on treated canvas, 76 x 61 cm (30 x 24 in)